Notley's 1985 play "Anne's White Glove," a commission by Ada Katz's Eye and Ear Theater navigated the pain of Berrigan's death, and her collections Margaret & Dusty (Coffee House, 1985), Parts of a Wedding (Unimproved Editions, 1986), and At Night the States (The Yellow Press, 1987) contain material written during a period of mourning. For your work, from that angle, the place to start would be the collages you make, your visual art. My favorite is how to cure an octopus: you go fishing, get an octopus, and you beat it against a rock. In the middle section, which is in prose, there are three people: me, Medea, and Dido, my gripe being that she founded a city, Carthage. I would write during that high, meanwhile I would listen to Bob Dylan tapes. Her first husband, Ted Berrigan, was an equally charismatic figure among an influential group of downtown poets. contact email: nicksturm00@gmail.com The range, audacity, and radical commitments of Alice Notley's poetry are unmatched in contemporary literature. He would fly to Paris, find me, and we would have dinner; also, he had a group of Paris friends. Notley and Berrigan were frequent instructors at Naropa University's summer writing program. In these poems, as in much of Notleys work, details from daily life enter in fragments that can be both entertaining and jarringly serious. Perhaps some of Notleys techniques have been absorbed into contemporary poetrys vocabulary, but, as long as conformity threatens, Notley will continue to push against it, or perhaps simply beyond it. Then I figured out how to write them, so they enter the text. It so happens that there are many of those trees, syringas, in Rochester, NY, where hes from. Perpetually strapped for cash, the two took on whatever small jobs they could to support the family. While Notley had written on motherhood prior to Songs, this book was her first to focus fully on the matter and is the first full-length book of a New York School-affiliated poet to take on the task of addressing poetry's sexism and the pressures and setbacks of motherhood in both personal and creative life. Everyone who went there was either black or Hispanic. AN: Well, I broke it. Nadja who sees things before they happen next and is just carted off: the status of mediums becomes a metaphor for the status of poetry in society. 89DR: Right, thats a strong, colonizing streak in Western culture. 3Alice Notleys poetry has evolved through many phases and experiments, as her output continues to be strong, and is increasingly studied academically. My mother had broken her hip. Alice Notley has earned a reputation as one of the most challenging and engaging radical female poets at work today. There were four kids, including a couple still at home. She made one change when she worked for James Schuyler, and she adopted a version of his short line, though after that theres little change, except a few years ago, when she started putting in spaces between thoughts: in a new way she created some disjunction she had never had before. DR: Like Ted Berrigan and Anne Waldman reading at Saint Marks church their collaborative poem, Memorial Day (May 6, 1971), that episode of Public Access Television. I always liked his paintings. Life spilled out onto the street, colors whirled. This is before the lost sacred corpus vision, someone says Look at my author photo. Or, as Notley puts it, the trick is to Try to get new language // closer to that of thought. The poet Heather Christles book, which is built of fragments of varying lengths, examines the science, sociology, and history of weeping. Actually, when I read, , high-school students get similarly entranced. DR: In your work, theres something in the interstices between thoughts thats both intriguing and active. Written after the death of her brother, a Vietnam veteran who suffered from PTSD, Notleys searing elegy challenges the Western poetic tradition by drawing attention to its complicity in war making and empire building. I knew him in New York, where I saw him from time to time; but after I moved here, he sought me out. New York: Penguin, 2007. You know Newman makes these large, abstract works. Its probably Notleys best-known work, perhaps because its one of the easiest to follow. I use the collages to go on without thinking with words. Early on, I understood that was something you could enjoy doing out of folk music. When I was a young poet, I couldnt figure out what to title anything, and I discussed this with Ted, who said: You should write to Ron Padgett and get a list of titles, which I did; he just made up all these titles for me. DR: What do you think of Gertrude Stein and of the kind of permutations she does: almost like rolling things around in your mouth? What does it mean to be one of millions that comprise a nation? But her writing exerts intense attraction. If this poem demonstrates her abiding interest in metaphysics, it also speaks to the immediate political realities of being a woman writer. Frank had a characteristic, manly idea of existing in the world despite what you might call his femininity, and I think that Ted understood it as something like being a Jimmy Cagney or something from the movies: Ted knew how to take that stance. The words at night the states serve as a refrain that marks the beginning of each stanza. Watch Video Here. ASHBERY, John. The artist Rudy Burckhardt once. DR: Yes, that brings me back to what I was saying earlier about Andr Bretons. And with popularity comes influence: one thinks of the sunny romanticism and Instagram-readiness of Having a Coke with You (the more abstract, difficult side of OHaras work has yet to gain influencer status). She lives in Paris. You know that quotation from a Paris Review interview (1983) that everything is this underground river and you can just draw from it any time you want to. Notley wrote extensively of her childhood and early life in her book Tell Me Again (Am here, 1982). where it was horizontal on the page. I think all poets do that; its also something out of the tradition of folk music. In the middle section, which is in prose, there are three people: me, Medea, and Dido, my gripe being that she founded a city, Carthage. NOTLEY, Alice. Instead, she gravitated increasingly toward archetype and mytha search for primordial language bubbling under the surface. which went: If I was the King of the World, Id throw away all the cars, thus broadcasting the idea. Nina Baym. hard and deeply about each part as I go along. 54AN: Complicated as it is, I can sketch it out: basically, everything is just too dense on the planet, which has been a decision made and a byproduct of technology. , Saint Marks Poetry Project, c.1980, courtesy of the Alice Notley, re-photographed by Daesong Kim. Its more like a pause between metrical feet. Active in the New York poetry scene of the 1960s and 70s, Notley is often identified with the Second Generation New York School poets, though her work resists any period classification. What if youre not sure what kind of person you are? . Her last collection, Mysteries of Small Houses, was a finalist for both the Pulitzer Prize in poetry and the Los Angeles Times Book Prize. 42AN: We were all doing them. Ones not overshadowed like in forests elsewhere, but its particularly harsh, and hot: the Mojave goes up to 120-125 [Fahrenheit], sometimes. DR: Speaking of Anne Waldman somehow makes me think of the presence of Native Americans in your work. 2Although she is a Parisian now, Alice Notley was also a key figure on the Lower Manhattan poetry scene particularly of the late 1970s and the 1980s. 98DR: Frank OHara was strongly influenced by Williams, and you in turn take a lot from OHara. MYLES, Eileen. In an interview with the Kenyon Review, Notley noted: I think I try with my poems to create a beginning space. Among the most powerful moments in her work are the ones marked by her teaching poetry workshops in New York and her self-publishing the book, Parts of a Wedding (1986). Notleys work is famously heterogeneous, but its possible to see a gradual shift in her work, beginning in the mid-eighties, away from the New York Schools emphasis on ordinary detail and the surfaces of daily city life. But although it feels dashed-off, OHaras essay is more than fashionable flash. The first time I went there I was completely humiliated by the people working there. Ed. DR: Historically, painting is central to cultural New York and to New York poetry. How, in your view, did humanity get itself in such a predicament? 214, fall 2015, p.34-121. Its deliberate, in order to find something out. I always seem to be erasing and starting over, rather than picking up where I left off, even if I wind up taking up the same themes. One year at a big Thanksgiving dinner, I sat next to the poet Michel Deguy; many of his friends in Paris were met for instance when playing tennis. When I read The Descent of Alette I am tempted to treat the quotation marks between phrases as breath-markers like on a musical score. They measure out a skittering meter, question languages capacities in the face of violence, and remind us of its primal connection to bodies living and dead, speaking and silent. She distrusts change. I didnt know any French; I had no French when I came here, basically, in my late forties. AN: That was below that bed: the voices were calling to me from below the bed. In the serious, reflective poem, Your Dailiness (1971), you mention finally understanding Willem de Koonings painting, Excavation, in a Chicago museum. New York: Penguin Books, 1977. AN: Well I grew up in the Southwest. Automatically inside their apartment, you don't have. Twitter, For example my poem In the Pines has been set to music by AroarA, who are two members of the Canadian, indie group, Broken Social Scene. (1945) a couple of years ago because she was being bashed in the States again: they were underlining her Vichy connections in order to make her into a kind of villain, without any regard for how difficult it must have been: a lesbian living with another lesbian, in her sixties, in a country that wasnt her own country, Jewish, thus a prime candidate for the camps. In fact, he had a whole career as a journalist, and knew how to research, to inform his opinions, and to look at events without a preexisting opinion: thus, I learned how to do that from him, though I find that few today are so intellectually honest. The editors discuss Amy Newman's "Howl," Alice Notley's "This Fire," and a series of limericks by Anthony Madrid. This is "THE PROPHET BY ALICE NOTLEY" by John Galvin on Vimeo, the home for high quality videos and the people who love them. 43DR: Yes, those are full of imagery: evidently, they have all kinds of signification. It seems nobody has any sense of tone of voice any more. AN: He was a good friend. Notley moved frequently in her youth (e.g., San Francisco, Bolinas, London, Essex, Chicago) and eventually married the . She has received the Griffin Poetry Prize, the Los Angeles Times Book Award for poetry, and an Academy Award from the American Academy of Arts and Letters. Alice Notley, Live in Seattle, Portland, WA: Fonograf Editions (Octopus Books), 2019. Ive always had trouble getting materials here. NOTLEY, Alice. McKinley. The former Presidents political and legal challenges are mounting, even as some polls indicate that he still has a lot of support among Republicans. 80AN: Probably, I wouldnt dance, but Anne might. 92AN: She was great. 4Since then, her poetry has continued to flow and evolve. In New York, the poets you met were mostly all from somewhere else (except for a few of them like Bill Berkson and Kenward Elmslie). Culture of One sees Notley returning to the desert of her childhood to tell the story of one of its residents. NOTLEY, Alice. When I was writing such pieces and reading them they changed a lot; but it was about trying to get how the mind works, which meant I was writing generally as fast as I could while still keeping self-control, which is why I allowed all these part-words to come in. One of the lines in that particular poem is actually straight from Dylan, which I finally just say: I know no one can sing the blues like blind Willie McTell. Id been quoting from the song all the way through in the whole poem. My poem The Prophet (1981) is based on his poem Some General Instructions (1971). Request a transcript here. DR: It seems to be an inspired collage. Get this from a library! AN: Yes, they were the two Irish of the set. I was influenced by Koch, particularly by the period starting with the second The Circus (1971). I certainly wouldve used anything to keep from being sent. I was one of his friends in Paris. She is a recipient of the Ruth Lilly Poetry Prize. Notley has stayed very involved in the preservation of both Berrigan and Oliver's works, having edited and written introductions for a number of their books and she continues to be a prolific and powerful force in contemporary poetry, winning the Leonore Marshall Poetry Prize in 2007 and the Ruth Lilly Poetry Prize in 2015. staying at the Htel des Grands Hommes with his surrealist friends, who wont get into the Panthon either. Where Leftover Misery Goes. Robert Haas, Guest Editor. For some 45 years, she has striven against the forces that stifle idiosyncrasy. So, there were people from all different professions at the table, a few Americans and some artistic peoplebut not that many. Notley wrote extensively about pregnancy, childbirth, and child-rearing at a time when the poetry world was often inhospitable to women. I could have a conversation about Royal Trux: a very chaotic indie group, sometimes awful, sometimes amazingly brilliant. Norton Anthology of American Literature, Fifth edition, vol.2. . DR: The conversation has veered far from Needles, which I hope we will return to, as we evoke various social spaces that seep into the poems. And that other one was something I just picked up from the sidewalk. Request a transcript here. Did it influence you? First, the way the fan that tapers at the top disorients the view, because the fan is supposed to open up, not reduce. In March 2021, Notley was a guest blogger forHarriet. The poem has been seen as offering a feminist critique of the genre of epic poetry. For the Ride skirts the edge of that story-sense. As is often written in her biographical notes, "she has never tried to be anything other than a poet," and with over forty books and chapbooks and several major awards, she is one of the most prolific and lauded American poets today. Young poets on the Chicago scene regularly hung out with Notley and Berrigan at their home and many followed the couple back to New York City in the late 70s. Oakland: O Books, 1995. The Circus (1971). DR: Its also what Andr Breton mentions, in his book. In addition to poetry, Notley has written a book of criticism (Coming After, University of Michigan, 2005), a play ("Anne's White Glove"performed at the Eye & Ear Theater in 1985), a biography (Tell Me Again, Am Here, 1982), and she has edited three publications, Chicago, Scarlet, and Gare du Nord, the latter two co-edited with Douglas Oliver. I dont know anything about French pop culture at all; Im necessarily estranged from American pop culture, but I do sometimes know whats going on in music. The designer of the cover made an extract basically, making it wrap around the book cover, which was an attractive idea. Its small and a bit fragile. DR: Your humor, in poems like The Prophet (which asks hilariously, Does a hippopotamus get the shakes?) is slightly less well known than your readiness to tackle political subjects. I applied pressure so that the brokenness would have the shape I wanted; then I think I made the back part separately and decided to glue the fan on it. My book, (1992) features Robert Desnos and uses patterns from the. Can we know where the crystal ark of language is taking us? NOTLEY, Alice. AN: We were all doing them. This Kind of Paradise. Parts of a Wedding. The Man in the Long Black Coat, (1989) by Bob Dylan influenced the sound of the first two parts, which I wrote last. Theres that magical phenomenon with small children, before they get to be about four, where, if you start singing, they suddenly look at you, hooked. For instance, what if you are a woman in a community of male poets who disregard your work? He spent two years in India, which changed everything about him. There was one called How Green Was My Hair Brush? which was a Ron title. 111DR: To go on with my list: We are secretly holding the ghost dance, take care of the pines where we sleep, I have the Antlers she.. You can read her biography, an interview with Notley, and more of her poems in the Poetry Foundation archive. Poetry itself can be thought of as that which comes from afar. The Goddess who created this passing world, Said Let there be lightbulbs & liquefaction, Life spilled out onto the street, colors whirled, Toys and rose The zoo body zigzags. where you and Eileen Myles read together must count among the great New York School moments still on record. 61Then generations of people had to have to deal with the bad behavior and figure out how to talk about it. In fact he taught the same undergraduate classes for years and years, refusing to teach graduate students becausehe saidthey couldnt learn anything, were already set in their ways. Cathy Park Hong has some thoughts for you, and some thoughts on how best to share them. His zips are like obelisks; theyre like sculptures inside the paintings. NOTLEY, Alice. In 1992, Notley moved to Paris with her second husband, the British poet and novelist Douglas Oliver (19372000), whom she met while living in England in 1974. El jugador controla a Alice durante todo el juego corriendo, saltando, esquivando y atacando. I dreamed about the children afterwards, you know, there were children being chased in this building. 85DR: Also referring to the Aeneid, you speak about Dido in Songs And Stories Of The Ghouls (2011): she is a female character who suffers a kind of erasure, despite being the great queen of Carthage. The text is visually striking with quotation marks surrounding each poetic foot, intended to slow the reader down and indicate the pace at which the book is to be read. About two-thirds of the way through the book theres a dream that has to do with a poet that has written a poem called disobedience: the poet was Kenneth in the dream, but, such is dream logic, it was really me. New York: Penguin, 1996. Your Dailiness. 165 Meeting House Lane. And they participated, when they lived in Prescott, AZ, in an organization which did Native American Dances every year, called The Smoki, which my father was in, and which had been instituted by the businessmen in Prescott in the 1930s. AN: Yes, towards the end of number fourteen, the last one. NOTLEY, Alice. DR: Where leftover misery goes Can a poem be like a dance? I gave a talk on his poetry last month, in New York, which I wrote during the cold snap, when it was too cold to go out for three days. I think that is what she said, because her greatest influence was Henry James: she takes his sense of the sentence and turns it into those stanzas. (2005), and I have essays in it about her and Joanne Kyger, Ted Berrigan, Lorenzo Thomas, Frank OHara, and some others. The artist George Schneeman, perhaps most famous for his artworks that appeared on the covers of dozens of books of poetry, did all of the covers for the magazine. 121AN: No, never: when I address enemies, I am not carrying them on my shoulder; Im being intensely annoyed by them. His poems are totally him; his voice is unique; his sensibility is unique; and he was always basing it on something else; he wanted to be like Frank [OHara] intensely, but there was no way he could be like Frank. OHaras insouciance has made his work popularan antidote to the high seriousness that poetry sometimes invokes to prove its worth. She received a B.A. Her poems have grappled with how to depict and think about motherhood, and her influence for a later generation of poets exploring these same subjects is hard to overstate. Alice Eliza Harvey Expand search. Where Leftover Misery Goes. Robert Haas, Guest Editor, The Best American Poetry of 2001. Her children, Anselm Berrigan and Edmond Berrigan are both New York Poets of a younger generation. 122DR: Anne Waldman was an important figure with the [St. Marks] poetry project. Vocabulaire politique et propagande dans une perspective transatlantique, Slavery on Screen / American Women Writers Abroad: 1849-1976, (Hi)stories of American Women: Writings and Re-writings / Call and Answer: Dialoguing the American West in France, Morphing Bodies: Strategies of Embodiment in Contemporary US Cultural Practices, Modernist Revolutions: American Poetry and the Paradigm of the New, The Poetics and Politics of Antiquity in the Long Nineteenth-Century / Exploiting Exploitation Cinema, The Voting Rights Act at 50 / Hidden in Plain Sight: Deep Time and American Literature, Aesthetics of Theory in the Modern Era and Beyond / Photographie documentaire, Revisiting the Gilded Age / Littrature et philosophie, Cartographies de l'Amrique/ Histoires d'esclaves, Le roman policier, littrature transatlantique / Maisons Hantes, Sport et socit / Animals and the American Imagination, Senses of the South / Rfrendums populaires, The Businessman as Artist / New American Voices, A digital resources portal for the humanities and social sciences, https://doi.org/10.4000/transatlantica.13862, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-1.jpg, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-2.jpg, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-3.png, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-4.png, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-5.jpg, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-6.jpg, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-7.jpg, http://journals.openedition.org/transatlantica/docannexe/image/13862/img-8.jpg, Catalogue of 609 journals. Which is something that John Ashbery would probably have agreed with, in a way. Thats why my poetry works so well. My favorite is how to cure an octopus: you go fishing, get an octopus, and you beat it against a rock. Eileen was twelve. New York: Random House, 1954. AN: Well, thats what a lot of us got from her; Im heavily influenced by Gertrude Stein, having had two Stein periods; in the second one in the mid-1980s, I figured out a thing about repetition: that, if you repeated, you could pause long enough inside the repetition to figure out what to say next, which she was probably doing constantly. 118AN: It was definitely weird to get food stamps. My parents were from Arizona. Your heart remembers its pumping. I went down there is simple, but it is rich. To deal with the [ St. marks ] poetry Project Andr Bretons all the way through the! Increasingly studied academically years, she gravitated increasingly toward archetype and mytha search for primordial bubbling... 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